Scooby-Doo! has been around since the 1960s, and the franchise has delivered fantastic stories and movies for fans to devour, but Scooby-Doo! Mystery Incorporated is the only show that premiered on Cartoon Network. So pull up your favorite childhood blankie, pour yourself a big glass of OJ, and get ready to relive the cartoony chaos as we count down the best Cartoon Network shows begging to be viewed again with fresh eyes and fond hearts. For most, revisiting these worlds we once loved can be therapeutic and comforting. We notice pop culture references, hidden meanings, and adult humor layered into harmless scripts targeted at younger audiences. Suddenly, jokes that were once ridiculous and silly seem wittier, emotional bits hit harder, and character arcs force a new-found introspection. Related: Why Adult Swim May Be a New Home for Cartoon Network ShowsĪs a child, these shows brought us joy and wonder, but a re-watch as adults can unlock new depths and meanings our little brains weren't ready to grasp back then. The jokes, the phrases, the visuals, and the characters that once entertained younger kids are now ripe with sentimental value, summarizing the spirit of being a child. (Remember Smallville or Roswell?) There's a lot to unpack with all these layers of its fascinating mythology, but that's half the fun of this genre wonderland.Although one may have forgotten some of the intricate plot details over the years, watching certain CN shows as an adult promises to trigger an unmistakable sense of nostalgia. But in Ragnarok, those appropriated elements, if not electric, feel like a pleasing, welcome throwback to those who are nostalgic for the kind of episodic dramas that premiered on The WB in the early 2000s. This seeming lack of imagination might deter those who like their television to be audacious. Nobly driven by climate alarmism and inspired by Norse mythology, Ragnarok is a pastiche of several pop culture staples from the past two decades there are shades of American Gods and Percy Jackson, Skam, Twilight, and The Arrowverse (all on a television budget, of course). Ragnarok, a Norweigian series about a dyslexic teenager discovering his divine superpowered destiny (and has nothing to do with the Marvel movies), opens with the beats of M83’s "Midnight City," the 2011 song whose music video featured superpowered adolescents breaking out of the facility they are confined in. For that reason alone, this rom-com is worth the plunge, but the flirtatious chemistry between Se-ri and Captain Ri will suck you in for good. According to defectors, the show does a fairly accurate job of depicting the daily life of average North Koreans, something that Westerners hardly ever see, with documentarians and tourists given tightly controlled puppet shows run by its totalitarian dictatorship. The culture exchange between Se-ri and everyone else is absolutely fascinating to watch as she struggles to adjust to life without easy access to Nice Things and act comradely to her fellow villagers. Se-ri is found by Captain Ri (Hyun Bin), and after a few directionally challenged mishaps in her escape attempt, winds up living in Ri and his underlings' small village nearby. In this K-Drama, Son Ye-jin plays the self-absorbed heiress and lifestyle brand CEO Yoon Se-ri, who, while testing out one of her latest products via paragliding just north of Seoul, gets swept up in a storm, is blown past the demilitarized zone which separates North and South Korea-which are still technically at war with each other-and literally crash lands in North Korean territory. These contestants are all in it to win it, meaning chaos, catfishing tactics, and questions of authenticity abound, and Brazil's diverse cast makes for a great case of more representation in reality shows across the board. While the American one is addicting based on the concept alone, following isolated strangers who communicate and complete challenges exclusively through an app in order to compete for ratings to win a cash prize, you can go ahead and skip it altogether and settle in for one of its flirty international siblings instead, both way more fun than its stateside predecessor, and many of the group challenges are regionalized, so you can finally learn some decent Brazilian dance moves. Then, just a few months later, the streamer dropped its Brazilian version of the show, and shortly after that came the French one. Netflix found an outlet to harness the modern anxieties around and obsessive pulls of social media via its reality TV competition show The Circle, based on a British predecessor of the same name.
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